Ori and the Will of the Wisps - Part 3

In the first two installments of this series about the use of Spatial Audio in Ori and the Will of the Wisps, Kristoffer talked a bit about some of the whys, whats, and hows, let’s look at how it all came together.  

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Ori and the Will of the Wisps - Part 2

In Kristoffer Larson's last post, he went over the project goals and decision-making process for pursuing a spatial audio presentation of Ori and the Will of the Wisps.  In this post he covers some of the more specific content and implementation approaches they took.

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Ori and the Will of the Wisps

In this three-part series, Kristoffer Larson, Senior Sound Supervisor with Formosa Group, will share some of the technical and creative processes used in the production of Ori and the Will of the Wisps as it relates to spatial audio. In this post he talks about the design intentions and decision-making that lead them to commit to a spatial audio production. 

In the second installment he will cover the creative and technical methods that were used to create compelling spatial content, and in part three, we will learn about the final stages of the production and how the music, mix, and testing all came together.

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Spatial Audio and the PS5

There is a lot of buzz this week about the PS5 and spatial audio after the, "Road to PS5" presentation, and we thought it a great time to share some information about Dolby Atmos for console & PC games.

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